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This is a weblog of one person's multi-year quest to write, draw, and publish a graphic novel. This is my story: my trials, tribulations, successes and failures. -- Robert Stradley, Weekend Artist Inking After 2 months of study, I have finally gotten a handle on just what a sensuous line is. And I can draw it much easier with a Copic than with a wand. For me, the sweep of fingers on a marker appears to be much more intuitive, but then I was trained on a drafting table with Staedtlers and Speedballs. Spotting blacks remains a mystery to me. Every time I try, I want to chuck the result into the trash. I find myself yearning for the inks of Harold Foster’s Prince Valiant – where the blacks were minimal and were the obvious result of sunlight on backgrounds, clothing folds, and personal shadows on the ground. I have discovered that I have a personal preference for a Disney-esque dead line around my characters. For me, a hand-inked line on a light table is far easier than a digital trace. Shading on the other hand appears to be both easier and more editable in PhotoShop, especially when I’ve done much of the shading in pencils. Like Gwendolyn, I appear to be betwixt and between. Magie is all around, available to all and sundry, and is powerful. It is taught in Magie University by the Elfes, and controlled by the Council de Magique. Leeland is at the beginning of the Age of Enlightenment on Magie. They understand the building blocks but very few of the complexities. And Hedge Magie abounds -- those human-based small spells for doing everyday things better, as well as those shamanistic spells for everything from blessing the crops to healing wounds. Leslie has written a 22 page treatise on La Magie, and we will be posting a whole section of La Magie on the website as time permits.
Here’s a first glimpse of the Crumbly Castle Layout.
Drawing Dagobert started out fun [1st Look], but it quickly became a penance as I attempted to draw him realistically. I even tried wire frames but kept getting lost in the shadows. In desperation, I pulled out a box of Sculpey and modeled the little rascal. [Dagobert head 1], [Dagobert head 2]. For the body, I went back to a 1965 cermic sculpture I had made of a dragonette. I always loved this thing, and wished I could adopt one. |
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